Born in Berlin in 1896, Lotte Eisner became famous for her passionate involvement in the world of both German and French cinema. In 1936, together with Henri Langlois, she founded the Cinémathèque Française with the goal of saving from destruction films, costumes, sets, posters, and other treasures of the 7th Art. A Jew exiled in Paris, she became a pillar of the capital's cultural scene, where she promoted German cinema.

Historian, author, and movie critic Lotte H. Eisner is the subject of this documentary. She recalls her early childhood in Germany and her association with such legendary directors as F.W. Murnau and Fritz Lang. Leaving Germany for Paris in 1933, her anticipation of WW II saw her relocating to the South of France. Eisner gives her considerable and insightful opinions on classic German Expressionist Films, as several of her admirers drop by during the interview conducted by director Sohrab Shadid-Saless.

The 1998 dramatization of a 1970s UK miscarriage of justice, centered around Stefan Khizcho, and his mother's subsequent battle for his freedom.

An independent film based in Runnemede, New Jersey. Vigilantes team together to find their loved one's killers who have gotten off the hook.

A fast-paced ensemble comedy about a wedding planner and his thrown-together crew whose meticulously planned celebration gets way out of hand.

To save her unborn child, she had to fight for the right to die. A True Story

The life of Yulia, a pathological loser and old maid, is quiet and measured. But only until Zhenka, Yulia's thirteen-year-old niece, intervenes. Having decided to arrange her aunt's future, she places a marriage ad in the newspaper: "need a man for life..." The only possible, from Jenka's point of view, candidate for happiness with the "blue stocking" turns out to be tough and rude Gleb. True, a "real man" is not going to get married. And Yulin's number was dialed by mistake. On top of everything, he managed to implicate both aunt and niece in a dangerous game, the main prize in which - someone else's container with real diamonds ...

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Krzysztof Komeda was a jazz pianist and film composer. With compositions like the lullaby for Rosemary's Baby (1968) by Roman Polanski, Komeda succeeded in writing his own chapter in the history of soundtracks. This documentary follows the life story of the composer by the means of his melodic sounds. It is a reflection on his soundtracks, which changed the common film scores forever. It is a contemporary document about the attitude to life in a time of social, political and cultural change after war, about work and exodus of Polish artists in the 50s and 60s. A story about how film music is created and how it affects people. Directors who worked with Komeda and who are also friends talk about him: Roman Polanski, Jerzy Skolimowski, Henning Carlsen and Andrzej Wajda. His wife, Zofia Komeda, and his sister, Irena Orlowska, recollect him.

The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York, New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to his lead characters, and most importantly, his approach to direction. The doc doesn’t quite move at the pace of Scorsese’s revved-up speed-talking, but it does offer some real insight into his productivity in the 1970s, thanks to an impressive array of talking heads. Included are Scorsese’s collaborators Jay Cocks, Mardik Martin, Brian De Palma, Steven Prince (who co-produced this doc), and his mentor John Cassavetes. Also the performers, who discuss his working methods in detail — Jodie Foster, Liza Minnelli, and, of course, Robert De Niro.